Barsaat (1949) Song Lyrics and Videos: The movie is directed by Raj Kapoor and Produced by Raj Kapoor. The Star cast in lead roles are: Nargis, Raj Kapoor, Prem Nath, K.N. Singh, Cuckoo, Nimmi. The Genre of this film is Drama.
Barsaat begins with a flashy car on the winding hill roads. In it are two young men on a holiday. Though Pran (Raj Kapoor) would like to get to the city, Gopal (Premnath) wants to spend the night in the hills – he had met a young woman there the previous year.
The songs are too many but they do not irritate or bore. Instead they enhance the enjoyment of the viewer like anything just like the icing on a cake. The story meanders through many turns and reaches its heart-piercing climax impressively, leaving a throbbing in the heart of the viewer with the ending scene. I feel, Raj Kapoor could have avoided the tragic ending of the movie and substituted it with a happy ending.
The film released theatrically on 21st April 1949 and music released on Saregama label. Barsaat (1949) Bollywood Movie Mp3 Songs Download 320Kbps All Audio Track Free.
In many ways Raj Kapoor’s ‘Barsaat’ (1949) heralded the onset of spring for the Indian cinema. To millions of cinema-goers, Barsaat spelled romance. It glamorized special brand of necking and hugging on the screen that came to be known as the caveman style of love-making. It popularized Nargis and Raj Kapoor as a star couple in a sweeping fashion. To catch the aura of romance, Barsaat stressed the equation of pairs to great effect.
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The strains of melody were at their sweetest in Barsaat. People simply raved over the songs. Shanker and Jaikishen were able to infuse a musical variation of their own into the widely known forms, mainly through the use of a strong Western orchestra.
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Merii aa.Nkho.n me.n bas gayaa koii re Movie: Barsaat Singer(s): Lata Mangeshkar Music Director: Shankar, Jaikishan Lyricist: Hasrat Jaipuri Actors/Actresses: Premnath, Nimmi, Nargis, Raj Kapoor Year: 1949 merii aa.Nkho.n me.n bas gayaa koii re mohe nii.nd na aaye mai.n kaa karuu.N merii aa.Nkho.n me.n bas gayaa koii muskaaye jab raat kii bi.ndiyaa -2 u.D jaaye aa.Nkho.n se ni.ndiyaa -2 Tha.nDii Tha.nDii mai.n aahe.n bharuu.N -2 haaye mai.n kaa karuu.N -3 merii aa.Nkho.n me.n bas gayaa. Baat kare.n jab chaa.Nd sitaare -2 jal barasaaye.n nain hamaare -2 terii yaad me.n ro ro maruu.N -2 haaye mai.n kaa karuu.N -3 merii aa.Nkho.n me.n bas gayaa koii re mohe nii.nd na aaye mai.n kaa karuu.N merii aa.Nkho.n me.n bas gayaa koii •. Bichha.De hu_e paradesii ik baar to aanaa tuu Movie: Barsaat Singer(s): Lata Mangeshkar Music Director: Shankar, Jaikishan Lyricist: Hasrat Jaipuri Actors/Actresses: Premnath, Nimmi, Nargis, Raj Kapoor Year: 1949 ( बिछड़े हुए परदेसी ) -२ इक बार तो आना तू जब आँख मिलाई है नज़रें न चुराना तू बिछड़े हुए परदेसी. वादे भी किए तूने खाई थी क़सम मेरी -२ वादों पे ही जीती हूँ है आस मुझे तेरी -२ ( इतनी है आरज़ू मेरी ) -२ मुझको न भुलाना तू जब आँख मिलाई.
But the violin was the heart of the melody in Barsaat. For the first time it was used as the primary instrument underlining the score, thereby breaking the tradition of the piano and the harmonium.
English: Two urban youths Gopal (Prem Nath) and Pran (Raj Kapoor) with contrasting beliefs about love take their annual holiday in Kashmir. Both get attracted to local beauties Neela (Nimmi) and Reshma (Nargis) respectively. While Gopal is a philanderer, Pran is serious about his love for Reshma.
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Are they two men, or the externalisation of one man's internal conflict? At one point, driven almost mad by Pran’s grief, Gopal bursts out, ‘ Mera bhi tumhari tarah tadapne ko jee chahta hain.’ (' I want to suffer as you do.' ) Pran concurs – perhaps they are one, after all. Because, ' Kabhi kabhi toh main bhi tumhe dekhkar yahi sochta hoon ki shaayad tum mera hii doosra roop ho.' (' Looking at you, I sometimes feel you are another part of me.) Two men, two ways of loving, or one man, warring with himself? Of course, Gopal can’t be serious for too long. Perhaps they should combine forces and love one girl – that would be the perfect love.
The redemption of a cad through the love of a good woman is not an unknown trope; yet here, when redemption comes, it doesn’t happen overnight. If the madness of Pran’s grief shakes the foundation of Gopal’s cynicism, then the strength of Reshma’s faith teaches him what true love means. The character slowly grows in empathy and there is true repentance, an aching wish to be a better man and the urge to make reparation. The value of 'forever love' is a lesson that’s tragically learnt. Premnath also gets most of the humorous throwaway lines in the film, as befits his character. The relationship between him and Gopal is finely etched – they bicker companionably about their differing philosophies but underneath it all is a deep, abiding affection for each other.
Their played no small part in making the film a blockbuster. Barsaat’s success established Lata Mangeshkar as a voice to reckon with, allowed Raj Kapoor to build RK Studios, gave him his studio’s iconic logo and his 'dream team', and immortalised him and Nargis as a romantic pair. Barsaat is a slow-moving lyrical film. Watch it for the performances – all four leads, and KN Singh cast against type.
Barsaat, 1949 Director: Raj Kapoor Music: Shanker/Jaikishan Lyrics: Hasrat Jaipuri, Shailendra Choreography: Krishna Kumar Playback Singers: Lata Mangeshkar, Mukesh, Mohammad Rafi Cast: Nargis, Raj Kapoor, Prem Nath, Nimmi, K.N. Singh, Cuckoo Translation included. The Encyclopedia Of Indian Cinema has this to say about Barsaat: Kapoor’s sombre musical classic contrasts different notions of love. The rich and ‘sensitive’ Pran (Kapoor) passionately loves the poor country girl Reshma (Nargis). Defying her father’s objections, who repudiates her, she runs to Pran but apparently drowns on the way.
(o., tujhako nazare.n Dhuu.NDh rahii hai.n mukha.Daa to dikhalaa jaa ho mukha.Daa to dikhalaa jaa ) - 2 raste par huu.N aas lagaae jaane vaale aa jaa - 2 jiyaa beqaraar hai.
›› Barsaat (1949) Movie Mp3 Songs Drama,Romance 21st April 1949 Nargis, Raj Kapoor and Prem Nath multi-starrer Barsaat (1949) is an Drama,Romance genres Indian Bollywood Hindi film, Directed by Raj Kapoor, Produced by Raj Kapoor and film story concept and Dialogues written by Ramanand Sagar. Barsaat audio music and background score of the film were composed by and songs lyric panned.
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The relationship between him and Gopal is finely etched – they bicker companionably about their differing philosophies but underneath it all is a deep, abiding affection for each other. Even when Gopal is deriding Pran as ‘Kavi Maharaj’, still stuck in the 18 th century, and Pran is describing Gopal as ‘ vasana aur hawas ke pujari’, there’s an understanding between them that transcends these labels. ' Mere sabse bade kamzori tum ho – na chhod sakta hoon na rah sakta hoon,' complains Gopal.
दुनिया मुझे छीने है सबने मुझे घेरा है -२ और मेरी ज़ुबाँ पर तो बस नाम ही तेरा है -२ ( दुनिया न हँसे मुझ पर ) -२ इतना न रुलाना तू जब आँख मिलाई. गैरों का न हो जाना जब अपना बनाया है -२ पास आ के न खो जाना जब दिल में बसाया है -२ ( जो बात कही तूने ) -२ वो बात निभाना तू जब आँख मिलाई. Bichha.De hu_e paradesii ik baar to aanaa tuu Movie: Barsaat Singer(s): Lata Mangeshkar Music Director: Shankar, Jaikishan Lyricist: Hasrat Jaipuri Actors/Actresses: Premnath, Nimmi, Nargis, Raj Kapoor Year: 1949 ( bichha.De hu_e paradesii ) -2 ik baar to aanaa tuu jab aa.Nkh milaa_ii hai nazare.n na churaanaa tuu bichha.De hu_e paradesii. Vaade bhii ki_e tuune khaa_ii thii qasam merii -2 vaado.n pe hii jiitii huu.N hai aas mujhe terii -2 ( itanii hai aarazuu merii ) -2 mujhako na bhulaanaa tuu jab aa.Nkh milaa_ii. Duniyaa mujhe chhiine hai sabane mujhe gheraa hai -2 aur merii zubaa.N par to bas naam hii teraa hai -2 ( duniyaa na ha.Nse mujh par ) -2 itanaa na rulaanaa tuu jab aa.Nkh milaa_ii.
The film revolves around two love stories. Pran (Raj Kapoor) and Reshma (Nargis) and Gopal (Prem Nath) and Neela (Nimmi). Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela (Nimmi) and condemns her to wait faithfully for his return with the barsaat (rainy season).
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Pran and his philandering friend Gopal (Premnath), who callously jilted the village girl Neela (Nimmi), are driving through the country and happen upon Reshma’s wedding to the obsessive fisherman (Singh) who saved her and believes he owns her. Pran crashes his car, stops the wedding and gets Reshma while the repentant Gopal finds that Neela has killed herself. Kapoor’s 2nd independent production starring himself and Nargis was the R.K. Studio’s first major hit. Its unusually innovative chiaroscuro cinematography (e.g. For Lata Mangeshkar and Mukesh’s song Chhod gaye balam) created deep rather than laterally elaborated spaces and relied heavily on metaphor, as in the shot where the angled rope cut off by Reshma’s father aligns with the angle of the violin bow with which Pran nightly serenades Reshma.
Average rating of songs and number of votes by visitors of HindiGeetMala. Navigation Help / Guide On all movie pages, a list of all the songs from that particular movie are there with basic information about the movie. You can click the song heading in above list to view video, and lyrics of the song.
Starting from Barsaat, this music making team presented many great albums to the music lovers containing several immortal songs. Barsaat (rain) tells the story of two friends - Pran (Raj Kapoor) who believes in true love and Gopal (Premnaath) who believes in 'enjoy and forget' philosophy. These two friends are roaming about countryside when they happen to meet two different girls. Pran falls for the charms of Reshma (Nargis) whereas Gopal comes across Neela (Nimmi).
Further, you can click on any name or category in the above list to see list of songs of that particular person or category. Film cast: Raj Kapoor, Nargis, Premnath, Nimmi, B M Vyas, Dolly Baldeo, K. N.Singh, Ratan Gaurang, Pushpa, Prakash Arora, Susheela Devi, Heren Khera, Vishwa Mehra, Master Sandow, Cuckoo, Bimla, Romani Singer: Lata Mangeshkar, Mohammed Rafi, Mukesh Lyricist: Hasrat Jaipuri, Jalal Aga, Ramesh S, Shailendra Music Director: Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal Film Director: Raj Kapoor Film Producer: Raj Kapoor External Links: Watch Full Movie: .
Mu: chho.D gae baalam, mujhe haay akelaa chho.D gae to.D gae baalam, meraa pyaar bharaa dil to.D gae l: chhuuT gayaa baalam, haay saath hamaaraa chhuuT gayaa TuuT gayaa baalam, meraa pyaar bharaa dil TuuT gayaa mu: chho.D gae baalam. L: phuul sa.ng muskaae kaliyaa.N, mai.n kaise muskaauu.N baadal dekh ke bhar aaI a.Nkhiyaa.N - 2, chham-chham niir bahaauu.N mai.n chham-chham niir bahaauu.N mu: chho.D gae baalam. Dil kii lagii ko kyaa koii jaane, mai.n jaanuu.N dil jaane palako.n kii chhaayaa me.n naache.n - 2, dard bhare afasaane ye dard bhare afasaane l: chhuuT gayaa baalam. L: pahale man me.n aag lagii aur, phir barasii barasaat aisii chalii birahaa kii aa.Ndhii - 2, ta.Dapat huu.N din-raat mai.n ta.Dapat huu.N din-raat mu: chho.D gae baalam. Jiyaa Beqaraar Hai Chhaee Bahar Hai, Aa Jaa More Balama Teraa Movie: Barsaat Singer(s): Lata Mangeshkar Music Director: Shankar, Jaikishan Lyricist: Hasrat Jaipuri Actors/Actresses: Nargis, Raj Kapoor Year: 1949 जिया बेक़रार है, छाई बहार है आजा मोरे बलमा, तेरा इन्तज़ार है जिया बेक़रार है.
Pran and Gopal are traveling in a convertible in the Indian countryside but the car breaks down. Near Satpur they come across a village and rest there for a few days.
Barsaat 1949 Mp3
Etc., there's a long musical river for the listeners to float on the waves of melodies. Barsaat's music is immortal and will continue to enchant the melody lovers for ages. The movie contains a foot-tapper also - Patli Kamar Hai Tirchhi Nazar Hai on which famous dancer Cuckoo has delivered a mesmerizing performance. This black and white movie is technically superior. Almost everything is perfect or near perfect. The picturization of certain songs in the rain (being true to the title of the movie) is simply wonderful.
Pran decides to unite with Reshma against all odds but Gopal ignores Neela after returning to the city these two friends belong to. Neela keeps the flame of Gopal's love as burning in her heart while waiting for him in her small, old house situated on a hill. After a lot of sentimental drama, Pran is able to make Reshma his life partner whereas Gopal realizes the importance of true love in a man's life but he is able to come back to Neela only when it's too late.
After they return to their homes, Gopal resumes his casanova ways but Pran loses himself in thoughts about Reshma. Will Pran and Gopal ever return to their lovers in Kashmir? Or will the glamour of city life snatch Reshma and Neela's lovers from them? Date 1949 Source: Author Raj Kapoor Licensing Public domain Public domain false false. This work is in the in because its term of copyright has expired.
Artwork and Publicity [ ] The much acclaimed poster and publicity for the movie were illustrated by the master artist Dr. Download lagu sheila on 7. One of the posters showing the heroine dangling on the arm of the hero would go on to inspire the R K Studios' famous logo.
Barsaat Movie 1995
Music [ ] The music of Barsaat became famous upon the film's release in 1949. The film was the debut for music directors and established their careers. The famous playback singer famously sang for both Nargis and Nimmi in Barsaat. The soundtrack was listed by Planet Bollywood at number 1 on their list of the 100 Greatest Bollywood Soundtracks. Rakesh Budhu of Planet Bollywood gave 10 stars stating, 'Barsaat is ideally one of Hindi cinema’s best soundtracks'. Released 1949 Length 38: 01 HMV-Saregama chronology Barsaat (1949) (1951) Professional ratings Review scores Source Rating Planet Bollywood Track list [ ] All music composed.
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In Barsaat, as in Aag, the hero’s image, of a lover-cum-artist is restlessly in search of answers to the big question of his very existence. The question; “What is beauty?” asked in Aag picks up a new theme in Barsaat where the lover asks us all: What is love?” Two friends on a hill-station, Raj Kapoor and Premnath, argue and play out the reply, each with his own convictions about the points raised by the question. ” Raj’s love for a girl of the hills played by Nargis eventually proves that love is immortal and divine and supersedes that of his friend, who fails to prove his own contention that love is but material and transitory. The latter’s romance with another rustic girl played by Nimmi, which he treats as a touch and go affair assumes a tragic form in its fatal end, teaching him a lesson for life. Of course all this high-flown metaphysical aspects of the story does not constitute the whole of Barsaat. The spirit of Barsaat lived in its songs and the ingenuity with which Raj was able to mould the popular appeal of his image as the super-lover for the audiences of the ‘fifties.’ Two streams of influences crossed and mixed with each other in the figure of the screen lover.
Raj, in the role, combined the identification, both with the tragic lover of ‘Devdas’ and the divine romantic figure of Shree Krishna at the same time. In the most electrifying sequence of the film, Raj standing on a mount, violin in hand, begins to play the famous opening strains of the song “O, o, mujhe kisi se pyar ho gaya.” And then Nargis, maddened by the call of his violin, comes tearing through woods and streams in the dark night to finally fall inert and helpless into his arms. The violin replaced the flute in this clever transferring of the ancient Radha-Krishna myth to modern romantic fantasy. And as Devdas, the lover was forever wrecked by feelings of agony and pain for his beloved. He was distant even when she was closest to him and both were in the throes of great suffering when separated from each other.
All song lyrics listed in the site are for promotional purposes only. We do not provide songs / mp3 download as it is illegal to do so. If you like any of the songs lyrics, you can buy the CDs directly from respective audio song companies. Lyricsing.com does not sell or monetize on the songs by any means. All the rights are reserved to the audio company / recording studios. Lyricsing.com holds no responsibility for any illegal usage of the content.