Download The Carter 3 Rating: 5,7/10 2912 votes

Christgau ranked its deluxe edition as the second best album of 2008. The album was also ranked number three on Rolling Stone 's list of the top 50 albums of 2008.

On May 2011, producer Bangladesh also filed a lawsuit against Weezy & Co. Over unpaid royalties. In early June 2011, another producer named filed a lawsuit against Young Money Entertainment and Cash Money Records on claims that the labels have failed to pay him over $1.5 million in royalties and production services for his work on the album, also including his songwriting on 'Love Me or Hate Me', a bonus song featured only on the deluxe edition of the album. Also in June 2011, Dallas producers filed a lawsuit against him claiming Wayne owed them at least $1 million in unpaid royalties for ' from Tha Carter III. Critical reception [ ] Professional ratings Aggregate scores Source Rating 84/100 Review scores Source Rating B B− A− 8.7/10 Tha Carter III received universal acclaim from. At, which assigns a rating out of 100 to reviews from mainstream critics, the album received an score of 84, based on 26 reviews.

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It reached #6 on the Billboard Hot 100. It also won a Grammy for Best Rap Song. The video for the second single, 'A Milli', was set to be released in May, and has since been mainstreamed. Multiple versions of the track were to be included on the album as 'skit-like' tracks, featuring artists such as, Cory Gunz,. Another artist, 13-year-old Lil Chuckee, was also set to appear on one of the 'A Milli' skits. None of the skits made the final cut of the album.

Tha Carter V is the most foreseen hip-bounce collection over the most recent 10 years and this year after about a time of holding up we will at long last get the collection. Birdman affirmed fourteen days back that the collection is ensured to drop this year in a meeting with Rap-Up, fans truly broke the web when he reported it. Lil Wayne demonstrated that despite everything he had it when he dropped Dedication 6 and Dedication: Reloaded and Tha Carter 5 is said to be only a look at what we can expect when it drops.

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But then again this album’s jarring collection of styles is what makes it exciting, and what makes it so definitively Wayne. No one could make Weezy choose between the Jamaican infusions of “Mrs. Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr. Carter” and “Let the Beat Build,” and the pop subversions of “La La” and “Lollipop.” They are all equal parts of Wayne’s personality, and Tha Carter III accords them all equal space. And the lyrics? Suffice it to say that Wayne is the most quotable man in music, and he uses his voices in ways that makes other rappers appear timid and banal.

Tie My Hands (feat. Robin Thicke) [produced By Kanye West] 11. Shoot Me Down [produced By Kanye West] 12.

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Lil Wayne - Playing With Fire (Feat. Betty Wright).mp3 6.66 Mb 15. Lil Wayne - You Ain't Got Nuthin' (Feat.

On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ('Mr. Carter,' 'Dr. Carter') are stunning, but they sink beneath generic pop-hop ('Ms.

Writer commended its themes and stated 'This isn't a mixtape, it's a suite of songs, paced and sequenced for maxaqimum [ ] impact.' Of commented that Wayne 'has clearly worked to make ' Tha Carter III ' a statement of its own: one that moves beyond standard hip-hop boasting (though there's plenty of that) to thoughts that can be introspective or gleefully unhinged'. 's Ryan Dombal stated, 'he distills the myriad metaphors, convulsing flows, and vein-splitting emotions into a commercially gratifying package'.

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Tom Breihan of described it as 'a sprawling mess, and it clangs nearly as often as it clicks' and 'a work of staggering heights and maddening inconsistencies', but commended Wayne for his unconventional performance, stating 'On paper, this is a textbook focus-grouped major-label hodgepodge, replete with girl songs and club songs and street songs. But every facet of the album comes animated and atomized by Wayne's absurdist drug-gobbling persona'. Drew Hinshaw of stated ' Tha Carter III is a monumental album full of powerful, self-defeating statements that obliterate rap's internal logic without offering too much more than indifferent bong logic in return. Judged, however, as a collection of singles and quotable verses—the criteria on which we've been grading hip-hop records since the end of disco— Tha Carter III is an agonizing piece of work'. Jeff Weiss of the found it 'scattershot', stating 'When Wayne's mad alchemy works, Tha Carter III evinces shades of brilliance that merit the wild hype, but in its transparent attempts to define its era, it fails, falling victim to the imperial bloat of its big-budget mishmash of styles.' Jon Caramanica of wrote that 'this schizoid album [.] is alternately mesmerizing and inscrutable.'

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(Feat Jay-Z) • 3. (Feat T-Pain) • 5. (Feat Babyface) • 6. (Feat Robin Thicke) • 9. (Feat Bobby Valentino & Kidd Kidd) • 10. (Feat D Smith) • 12.

The first of the leaks were distributed on May 30 at around 8pm where five songs from the track list were available on the internet. Hours later on May 31 at 12am-1am the whole album was leaked and posted on various websites for free download. The DJ responsible for the leaks was DJ Chuck T who retaliated for an interview conducted by Wayne, where he discredited all DJs and the mixtape scene days before. [ ] Lil Wayne later called 's radio show Shade 45 Sirius Satellite Radio to explain that his comments were meant specifically for DJ Empire who leaked his materials periodically without his permission, consent, or knowledge; he also apologized for any misunderstandings between him and the numerous DJs that have aided him in the mixtape industry. He made it clear, however, that he wished for any feelings of dislike or resentment to remain. Singles [ ] The album's lead single, ', topped the US for 5 non-consecutive weeks, making it Wayne's most successful single in his career. The album's second single, ', was another top ten.

'I'm Me' Carter, Mollings, Mollings DJ Nasty & LVM 4:55 4. 'Gossip' Carter, Dozier, Holland, Holland, Warwar Streetrunner 3:25 5. 'Kush' Carter, McCall, McCall, Thomas Maestro 3:42 6. 'Love Me or Hate Me' Carter GX 4:00 7. 'Talkin' About It' Carter, Rodriguez Infamous 3:31 Notes • 'Dr. Carter' contains samples from 'Holy Thursday', written. • 'DontGetIt' contains samples from ', written by,.

00:04:24 • • • • • • K. Dean, ComposerLyricist - Fabian Marasciullo, Mixer, StudioPersonnel - D. Carter, ComposerLyricist - David Axelrod, ComposerLyricist - Swizz Beatz, Producer - Joshua Berkman, Unknown, Other - Lil Wayne, MainArtist - Darius 'Deezle' Harrison, Recording Engineer, StudioPersonnel - Miguel Bermudez, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Edward Lido, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel Copyright: ℗ 2008 Cash Money Records Inc. • 7 Phone Home (Album Version (Explicit)).

To tell you the truth though, there's a song I did with out there—of course you want to save that for your album, but the rest of them songs probably wouldn't have made the album. There's a song floating around that says 'produced by Timbaland'. On May 24, 2008, 10-second snippets of multiple songs were leaked onto AT&T Media Mall. On May 30–31, Tha Carter III was leaked internationally. The first of the leaks were distributed on May 30 at around 8pm where five songs from the track list were available on the internet. Hours later on May 31 at 12am-1am the whole album was leaked and posted on various websites for free download.

But then again this album’s jarring collection of styles is what makes it exciting, and what makes it so definitively Wayne. No one could make Weezy choose between the Jamaican infusions of “Mrs. Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr.

• 12 Lollipop (Album Version (Explicit)). 00:04:59 • • • • • • Jim Jonsin, Producer, Unknown, Other - Fabian Marasciullo, Mixer, StudioPersonnel - Chad Jolley, Asst. Recording Engineer, StudioPersonnel - Miguel Scott, Recording Engineer, StudioPersonnel - Lil Wayne, MainArtist, ComposerLyricist - James Scheffer, ComposerLyricist - Sean Garrett, ComposerLyricist - Static Major, FeaturedArtist - Ludas Charles, Keyboards, AssociatedPerformer - Darius 'Deezle' Harrison, Drums, AssociatedPerformer - R. Zamor, ComposerLyricist - Furious, ComposerLyricist - Joe G, Recording Engineer, StudioPersonnel Copyright: ℗ 2008 Cash Money Records Inc. • 13 La La (Album Version (Explicit)). 00:04:22 • • • • • • B.

He confirmed that he had a few tracks on The Leak that are produced by Kanye West. Music [ ] Tha Carter III 's lead single, ', peaked at number one on the, staying at the top for three weeks. It was Wayne's most successful solo single in his career, winning one, a Award, and an. The song was praised as an 'electro-bumpin'.infectious track', perceived as more of a 'bubblegum' pop track than rap. The second track on the album, ', was nominated for a Grammy while also peaking within the Hot 100. It was praised for featuring, which was seen as Jay-Z passing the throne to Wayne. The second single, ', was a top ten hit and was praised as one of the best songs of 2008.

Smith).mp3 6.03 Mb 12. Lil Wayne - Lollipop (Feat. Static Major).mp3 8.17 Mb 13.

He described this song as the 'craziest'. Some believe that his request was turned down, but it most likely turned into ' on his 2010 album.

Recording Engineer, StudioPersonnel Copyright: ℗ 2008 Cash Money Records Inc. Officer (Album Version (Explicit)). 00:04:46 • • • • • • R.

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No one could make Weezy choose between the Jamaican infusions of “Mrs. Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr.

It's singular, but that's not always a compliment. On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror.

Of likewise gave it a score of three out of five and said the album 'is scattershot, which oddly strengthens its faults, as if any lull in quality means that the next batch of producers can just reset the formula.' (However, nearly three years later, in 2011, Alex Robertson of the same website gave the album a score of four-and-a-half out of five and said it was 'sort of a miracle: it's way too weird and confusing to be on the mainstream rap charts--to be that record that everyone knows about--but it is anyway. This album was in opposition to much of modern rap but somehow became popular and then proceeded to completely consume the genre and change its direction. [.] Tha Carter III is a contradictory, against-all-odds masterpiece, and Lil Wayne may never perfect this balance again.

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Of commented that Wayne 'has clearly worked to make ' Tha Carter III ' a statement of its own: one that moves beyond standard hip-hop boasting (though there's plenty of that) to thoughts that can be introspective or gleefully unhinged'. 's Ryan Dombal stated, 'he distills the myriad metaphors, convulsing flows, and vein-splitting emotions into a commercially gratifying package'. In his consumer guide for, critic noted that 'every track attends to detail' and quipped, 'From the start you know this is no mixtape because it's clearer and more forceful.' Stated that 'the prince of hip-hop gets a blessing from the king.'

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EDITORS’ NOTES In an industry that becomes more inhibited and conservative with each passing year, Wayne is one of the few million-dollar pop stars who refuses to color inside the lines. This album’s jarring collection of styles is what makes it exciting, and what makes it so definitively Wayne. No one could make Weezy choose between the Jamaican infusions of “Mrs. Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr. Carter” and “Let the Beat Build,” and the pop subversions of “La La” and “Lollipop.” They are all equal parts of Wayne’s personality, and Tha Carter III accords them all equal space. Wayne is the most quotable man in music, and he uses his voices in ways that makes other rappers appear timid and banal.

Upon its release, Tha Carter III received universal acclaim from music critics and earned Lil Wayne several accolades, including a spot on 's list of. It has been certified by the and has sold 3.6 million copies in the United States. Tha Carter III features appearances from,,,, and, among others. It also features, who is credited posthumously following his death in February 2008. Contents • • • • • • • • • • • • • • • • • • Background and recording [ ] stated that producers would include,,,,,,,,,,. In an interview with HipHopCanada.com, of the stated that he and produced a track called 'Outstanding', which later eventually leaked.

Lil Wayne - La La (Feat. Brisco And Busta Rhymes).mp3 6.57 Mb 14.

You will get minimum size zip file for the Album Tha Carter III. Each track has same high quality 320kbps CBR format. The lyrics for all songs of the Album Tha Carter III are available with us.

1 what he does 3:31 2 diamonds and girl feat. Currensy 3:25 3 kush 2:58 4 la la 3:47 5 something you forgot 3:00 6 zoo feat. Mack maine 3:39 7 i know the future (prod. By matlock) feat. Mack maine 3:20 8 im raw 2:38 9 scarface 3:45 10 im me 1:41 11 time for us to fuck 2:55 12 beat without bass 1:43 13 when you see me feat. Baby 3:23 14 money ova here feat.

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Officer') and mixtape material ('You Ain't Got Nottin'). It's singular, but that's not always a compliment. On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ('Mr. Carter,' 'Dr.

It was nominated for a Grammy for Best Rap Performance by a Duo or a Group in 2009. Lawsuits [ ] On July 24, 2008,. Filed a against Lil Wayne for and, specifically referring to the track 'Playing with Fire'. In the lawsuit, Abkco claims that the song was obviously derived from ' ', to which Abkco owns the rights.

Holland, Warwar Streetrunner 3:25 3. 'Kush' Carter, Brooks, L.L. Thomas Maestro 3:42 4. 'Love Me or Hate Me' Carter GX 4:00 5. 'Talkin' About It' Carter, Rodriguez Infamous 3:31 limited deluxe edition bonus disc No. Title Writer(s) Producer(s) Length 1.